Faith Can Move Mountains... But Dynamite Works Better
Showing posts with label John Lithgow. Show all posts
Showing posts with label John Lithgow. Show all posts

Wednesday, March 11, 2026

The Ego Storm To End Them All

The Oscars are coming up. I avoid this nonsense like the plague, but each year write something up as to how things should go. As I've been doing this for a few years, they've developed a continuity of their own. For those of you who are going to watch the 96 hour long marathon ceremony, good luck. I will be getting several decent night's sleep.


Three days before the ceremony even takes place, people will have selected spots around the Dolby Theatre for star watching. They will have camped out in the hopes that they can get photos and autographs from the stars. They will spend their time gossipping about who will be wearing what, annoying local stores with requests to use their washrooms, and giving Uber Eats drivers some brisk business.

ABC's president will gather together the producers, Raj Kapoor and Katy Mullan, who are returning again to head up the broadcast, in their office. He will demand that they keep on schedule as he's tired of the Oscars ceremonies going on for days and days. "Look, I get that they all want to celebrate, but our affiliates have to do their morning news traffic reports. It might not matter to you or me, but the people of Des Moines, it matters that a broken down pick up truck collided with a molasses truck."

Mullan and Kapoor will promise that they'll keep on top of things, all while knowing they'll be breaking that promise.


Conan O'Brien, returning to host, will be fine tuning his monologue with the writers, wondering how many people he'll offend this time.

Jack Nicholson's corpse will be brought out for preparations at a mortician's facility in Los Angeles. As his will dictates he must be at every Oscars, his body was embalmed years ago, and each year, it seems to take longer to get him ready to go.

Kapoor and Mullan will be interrupted from their plans on how to keep Barbra Streisand from attending the Oscars with the unexpected news that she has passed away in her sleep.


On the morning of the ceremony, Tom Cruise will set out from home. His ban from the Oscars continues, and yet he has an outrageous scheme on how to infiltrate the event once again this year, Mission Impossible style. It requires a few hired guns and/ or expendable twits. Nothing he hasn't done before.

Mullan and Kapoor, having had spent the last three days thanking their lucky stars that they won't have to deal with the rage ego-storm of Barbra Streisand ever again, will be in last minute preparation time.

The Dolby Theatre will, likewise, be in last minute preparation time with staff handling various tasks. Jack Nicholson's body will be placed in the front row seating, in tuxedo and sunglasses, looking, well... like Jack. Mullan and Kapoor will brief the small group of seat fillers who will be paid extra to be spending the evening surrounding Jack. They will advise them to ignore the scent of embalming fluids.


Leonardo DiCaprio, nominated for Best Actor this year, will be at home getting ready. He'll be meeting his latest girlfriend, who will be turning twenty six in July. As such, he will be busy planning on how to dump her at the end of June, what with his disregard for any woman over a certain age. He will also be feeling a growing sense of dread. He knows he should just skip the Oscars, what with the PTSD over being beaten up every year by Marisa Tomei, but his ego insists he must attend.

Mullan and Kapoor will be briefing their designated enforcers, back again this year. Tommy Lee Jones and Marisa Tomei, who have worked together on multiple Oscars ceremonies and spent time beating up DiCaprio and Cruise, will be raring to go. Upon mention of keeping the speeches short, Jones and Tomei will shrug. 

Despite not being in any notable movies in the last year, John Travolta will be at home, getting his tux ready. He'll give himself a look in the mirror, and nod to himself. "Joey Tarleton, you're looking good."


The ceremony will get underway. Paparazzi will crowd the red carpet, talking to incoming stars, trying to get a sound byte. Some of the stars will pass them by entirely. Others might stop in and have a few words. 

Tom Cruise will meet with a group of waiters/ movie set extras in a warehouse a few blocks away from the Dolby Theatre. Plus Scott Baio, who has nothing else to do and hasn't learned from the last few years of helping Tom Cruise out on Oscar night. It will be an audacious plan of distraction and misdirection, with the group being the distraction. "This can't fail!" Cruise will say. 

"Say, I think I need a bigger role in this," Baio will insist.

"Shut up, Chachi!" Cruise will snap.

"Hey! I was also in Charles in Charge!" Baio will point out.


Katherine Heigl and Katherine Heigl will show up, despite having no film work in the last few years. The actress and her alternate reality counterpart and wife will make a spectacle of themselves on the red carpet, making out, hands all over each other. Heigl once risked the space-time continuum to bring her counterpart in to this reality. After all, for someone that narcissistic, the only person they could love is themselves. After getting a bit too risque, they'll be ushered inside.

John Travolta, just arriving, will see them go and say to himself, "Wow, Kristine Howard and Kristine Howard really look good this year."

The seat fillers around the corpse of Jack Nicholson will be making a point of breathing in a shallow way.


Jones and Tomei will be off to the side of the seating, talking amongst themselves. They will both turn, as if sensing a presence. At this point in time, DiCaprio will arrive with his date. He will see Jones and Tomei, and start to tremble. Tomei will smile, point at him, and run a finger across her throat. DiCaprio will stifle the desire to cry.

Travolta will take his seat, look around, spot Jack Nicholson's corpse a couple of rows down and a few seats over, and say to himself, "That Jeremy Norton. What a guy, always the first one in, the last one to leave."

At home, James Brolin will be lost in thought, what with the days since his wife Barbra Streisand died in her sleep. He might wonder why no one has mentioned this in the news, but really doesn't care.


Conan O'Brien will open up the ceremony with a monologue taking shots at how no one's seen this year's nominated films, various actors in the audience, the industry in general, and Donald Trump for good measure.

At Mar-A-Lago, the American President will begin forty seven straight hours of rage tweeting with "Connor O'Ryan Not Funny! Unfair!"

At home, Billy Crystal will feel grateful that he once again turned down hosting this thing.


Tommy Lee Jones and Marisa Tomei will keep an eye on things. Tomei will keep looking directly at DiCaprio, sizing him up, calculating the velocity of a punch to his nose to break it again.

Leonardo DiCaprio will have a distinct feeling like someone is walking over his grave.

The first winner will be announced. They will set the tone for the evening when thirty seconds into their speech, they tell the orchestra that no, they're not going to get rushed off the stage, so quiet down there.


Tom Cruise will finish his briefing with his elite team of waiters and extras, plus Scott Baio. "Any final questions?" he will demand.

"Is there a chance any of us are going to get hurt?" one will ask. 

"Good question," Cruise will say. "Maybe. Now go put your mime make-up on."

The group will break up. Except for Scott Baio, who will ask, "what about me? I'm not going to be wearing mime make up?"

"No, you're driving," Cruise will tell him. "Besides, you're not a good enough actor to be a mime."

"Come on! I was the star of two shows! Three if you count Joanie Loves Chachi." Baio will protest.

"Shut up, Chachi!"


Mullan and Kapoor will look at their watches, realizing that they're already an hour behind where they're supposed to be by this point in the broadcast. "They'll never let us do this again," Kapoor will remark.

Mullan will nod. "See you in hell."

John Travolta will point at Michael B. Jordan in the crowd, and say to the person sitting next to him, "That's Mark S. Burroughs! You know, the basketball player!"


Barbra Streisand's agent will arrive at the mansion she called home with her husband. James Brolin will answer the door. "James!" he will say. "I'm so sorry, really. Just got your message an hour ago. I've been in Bora Bora hiding from my fifth ex-wife. Anyway, we've got to get the publicity machine up and running and let people know about the funeral."

"I haven't organized a funeral," Brolin will tell him.

"You haven't? Why not?" 

"Funerals are sad occasions," Brolin will explain. "And right now, I'm happy."

Donald Trump will tweet about how great the movie about his wife is, and how everyone's a loser.


Leonardo DiCaprio will squirm in his seat, feeling the eyes of that woman who keeps beating him up every year when he comes to these events. He will summon up the courage to look where he knows her to be. Marisa Tomei will meet his gaze, and then smirk. The expression will be enough to make the actor tremble.

Tom Cruise will load up the waiters and extras in the back of a delivery truck, telling them, "hold on to whatever you can. There's no seat belts back here after all." They will all look back at him, each dressed like Charlie Chaplin, with white mime make up on their faces. They will start to move in an exaggerated mime fashion. Cruise will close the rolling door. "Move it, Chachi!" he will yell as he gets on a nearby motorbike.

"My name is Scott!" Baio will reply.

"Nobody cares!"


News will break, three days late, that Barbra Streisand has died. Mullan and Kapoor, having had convinced the press to sit on the story so as to not overshadow the Oscars, will both sigh with dismay. "Do we need to do a quick edit of the memorial scroll?" Mullan will ask.

Kapoor will shrug. "Or we try to remember to add her to next year's edition."

Donald Trump will send out a series of six dozen tweets inside of seven minutes dragging Barbra Streisand over the coals.


The night will go on, with the schedule falling further and further behind.

John Travolta will look at his watch, trying to decide if it's time to call it a night. He's not getting any younger, after all, and he's not nominated this year for anything. 

The March of the Dead will unfold across the big screen, memorializing actors, directors, and others in the industry who have died in the last year. Some names will be omitted. Others will be met with a "who are they" reaction in the crowd. And one person on screen will in fact be in the audience, and get up off their chair and yell, "Hey! I'm not dead yet!"


Scott Baio will stop his truck a block short of the Dolby Theatre. He will get out, open the back door, and find the mimes running in circles. "Hey guys! It's time to go! Get out there already!"

Tom Cruise will watch them all clamber out and start moving in the general direction of the Dolby Theatre. He will check his watch, deciding on the best time to actually make his move and have his revenge.


The mimes will run down the street, and then start cartwheeling and somersaulting their way along the red carpet. Building security will call in to the event dispatch to advise of the situation. 

Tommy Lee Jones and Marisa Tomei will hear the news over their ear pieces, and will wonder if this is some kind of distraction.

While building security does their best to shuffle the mimes off the red carpet and down the street, Tom Cruise will start up his motorbike, revving hard, speeding down the street, knocking Scott Baio off his feet, heading to the red carpet.


The winner of the Best Actor will be announced. Leonardo DiCaprio will already be on his feet, believing he has won, but then hear someone else's name. This will infuriate him, and he will walk down the aisle towards the stage as the winner accepts the Oscar. "This is an outrage!"

Jones and Tomei will start moving onto the stage.

Cruise will burst into the auditorium. He will jump off his motorbike, which will crash into the audience, adding several names to next year's March of the Dead. He will get up, run down the aisle, heading for the stage, where DiCaprio is yelling at the winner of the Best Actor Oscar.


Cruise and DiCaprio will be yelling at each other and bickering about who's the better actor. The presenter and the winner for the Best Actor Oscar will be looking on, rolling their eyes and looking exasperated. 

Tommy Lee Jones and Marisa Tomei will close in on the pair. Tomei will tap DiCaprio on the shoulder. He will turn and find himself face to face with the object of his fear and agony. "Not you!" 

"Yes me," she will say, and throw a hard punch, breaking his nose.

Jones, meanwhile, will start out by breaking Tom Cruise's arms.


After the annual beatdown of Tom Cruise and Leonardo DiCaprio, both will be removed from the auditorium by paramedics, as well as police, who want to have a word with Tom Cruise about the multiple casualties and the people down the block who have previous PTSD related to mimes and had it all unleashed thanks to his underlings.

The Oscars will conclude, seventeen hours past their expected end time. Stars will leave the auditorium, feeling like they haven't slept in days. They will be met by questions from the paparazzi. "What do you have to say about Barbra Streisand dying?"

Tomei and Jones will feel refreshed and pleased with themselves. "That was fun," Tomei will say.

Jones will nod. "Same time next year?"


Somewhere in Hell, the Devil will send Barbra Streisand's soul back to her body, rather than put up with her for an eternity just yet. He can wait another ten years until the boys from engineering have the Silent Room ready. She will wake up in a morgue, having no memory of what happened to her for the last three days. And she will be angry.

At a local hospital, casualties from the night will be treated. Scott Baio will be wondering how he'll pay a hospital bill when he hasn't worked in twelve years.

Cruise will find himself feeling very uncomfortable as a doctor and nurse work on him. He will be in a neck brace, with both arms in body casts, multiple facial contusions, and broken ribs. Police will be advising him he needs a lawyer. "I don't need a lawyer," he will reply back. "Do you know who I am?"

The one cop will say to the other, "Look, Harry, we've got someone who doesn't know who he is."

In another room, Leonardo DiCaprio will be moaning while being treated by two nurses and a doctor. He has sustained facial damage, a broken leg, broken arms, multiple bruises, and unresolved PTSD. "She broke my nose! Again! She broke it! My beautiful nose! Marisa Tomei causes pain!!!!!"

Wednesday, January 7, 2026

Return Of The International Monetary Fund Scam


 They are a plague and a pestilence upon society. They send hordes of emails to random people, and spam our blogs with their nuisance comments. They prey upon the gullible with their scripts, whether it be the Cancer Widow, the former military officer, former government official, or banker from overseas. They promise great riches that don't actually exist. All in the hopes of finding that one Forrest Gump dumb enough to believe them. I speak, of course, of the vile lot we call homo sapiens scammeritis annoyingus, otherwise known as the internet scammer. Such as this, which ended up in my email.


International Monetary Fund (IMF)
Office of the Special Representative to the UN.
Headquarters 

Letter Of Compensation / Settlement.

Attn: Beneficiary,

Please bear with us for making this initial contact through email, it is due to the urgency of this notification, since we are unable to reach your telephone line and to officially bring to your notice about your payment file in which you are listed as a beneficiary to the International Monetary Fund (IMF) and United Nations Compensation Program of US$10,500,000.00, this Compensation Program is organized Seasonal for victims of  internet scams, disasters(earthquakes, hurricane, storm, fire), and elderly one(s) and fund payment delay in which your fund payment has been delayed by some unpatriotic officers.

In view of the above you are advised to reconfirm the information below to facilitate the immediate release of your fund.

1) Your Full Name:

2) Phone Number:

3) Home Address:

4) Profession:

5) Age:

6) Marital Status:

Thank you.

Best Regards,
Ms. Kristalina Georgieva,
Managing Director International Monetary Fund (IMF).


Oh, sure, that's believable. I'm due 10.5 million dollars from the IMF and United Nations. This is news to me. They've apparently tried to contact me. That's what I get for not answering unknown numbers on my call display. Well, while I might deserve such funds for putting up with an endless pile of scams and spam, we all know better than to believe this nonsense. They even use the interesting phrase "your fund payment has been delayed by some unpatriotic officers." Oh, sure, right, that sounds trustworthy.


They then ask me to reconfirm everything that- if this was legitimate, which it is not- they would already know. But I know better. And the icing on the cake is that it's sent by someone with a Russian name. Or a fake Russian name. And while I have no doubt that this scam probably leads back to some creep in a warehouse in Moscow, they have a mountain of aliases that they use. And their real name isn't Kristalina. Nice try, ace. But let's just say I've known too many Russians, including an insufferable local oaf of Russian citizenship who's busy getting banned from multiple places here because he's an insufferable oaf. I'd say he's the one behind this, but that jackass has a brain that's been destroyed by Moscow Alcohol Syndrome.

Again, nice try, but it doesn't work on me. In an ideal world, you'd meet the same fate as Ned Stark, who even though he was a fictional character is a much better person than you are. 

Wednesday, July 15, 2015

John Lithgow Chews Up The Scenery


"Well I don't recognize the face, but the butt does look vaguely familiar." ~ Jessie Deighan
"Hey, be careful, or you'll embarrass old Frank." ~ Gabe Walker
"It'll take a heap more than that, rock jock." ~ Frank

“Kill a few people and they call you a murderer. Kill a million, and you’re a conqueror.” ~ Eric Qualen

“This rope looks 60 years old. Will it hold?” ~ Jessie
“Don’t think so.” ~ Gabe 
“Bad answer.” ~ Jessie

“Delmar, from me to you, you’re an asshole.” ~ Hal Tucker 
“Yeah? And you’re a loud mouth punk slag, who’s about to die.” ~ Delmar 
“Maybe. But in a minute, I’ll be dead, and you will always be an asshole.” ~ Hal

“Your friend just had the costliest funeral ever.” ~ Qualen

"I was there, remember? You were the only one who didn't panic. So why don't you do us all a favour and quite hoarding all the guilt. You held on as long as you could." ~ Jessie

"What the hell do you know about bad times, man? You didn't love her, and you didn't have to explain to her family!" ~ Hal
"And you didn't have to look into her eyes when she was falling! So drop it!" ~ Gabe


Cliffhanger is an action thriller from 1993, by director Renny Harlin and starring Sylvester Stallone. The adventure film, telling a cat and mouse story mixed with wilderness survival, touches on all the right beats for a summer blockbuster, and brings its own sense of humour to the equation while also employing good characterization. And it features one of the best villains I’ve seen in an action film, played by an actor who was clearly having a ball playing someone so malevolent.


The film starts out among the mountains, where a search and rescue ranger, Gabriel Walker (Stallone) is making an ascent to two stranded climbers. One is his friend and co-worker Hal Tucker (Michael Rooker), who’s injured his leg. The other is Hal’s girlfriend Sarah (Michelle Joyner), who’s not terribly comfortable on the mountain, admitting that Hal talked her into it because he said it was better than sex. Gabe sets up a line to the waiting helicopter across the chasm, where his pilot girlfriend Jessie Deighan (Janine Turner) and fellow ranger Frank (Ralph Waite) are waiting to take the climbers aboard. What starts out as a routine day goes terribly wrong, leaving Sarah dead, Hal blaming Gabe, and Gabe blaming himself.


Eight months later, a senior Treasury agent (Paul Winfield) is seeing off a flight of agents taking three cases filled with 100 million dollars in uncirculated thousand dollar bills for transport. Air travel is seen as safer, but there are turncoats among the agents, and a mid-air heist involving another plane gets underway, and the heist goes wrong. The three cases are lost over the mountains, and the other plane crashes, with most of the gang of thieves surviving. Their leader, Eric Qualen (John Lithgow) is less than impressed with the surviving federal turncoat Travers (Rex Linn), and anxious to recover the money.


Meanwhile, Gabe returns to the mountains after time away; he finds Jessie back at their place, but he’s not back to stay. Overwhelmed by grief and guilt, he asks her to leave with him. She refuses when she’s called into work, and it's not long before the lives of the search and rescue mountaineers intersect with the ruthless gang of crooks determined to reach their money. 


Stallone co-wrote the screenplay with Michael France, and Harlin was brought on board after his experience directing Die Hard 2. While the film is heavy on action, the story does allow for characterization- the overwhelming guilt for Gabe is with the character throughout much of the film, while Hal's grief is mixed with rage. By contrast among the villains, Travers is a man seemingly permanently driven by his temper, while Qualen comes across as of a calmer disposition- albeit snarky and absolutely ruthless, but a man in control- at least most of the time. The screenplay also weaves in enough humour, most of it from Qualen, who aside from being malevolent has more of his share of dry, slightly sadistic humour. There's even some of that for Gabe, particularly in a bad pun moment in remarking on the cost of heat.


Harlin has a great touch for action, and it shows in this film. Most of the location shooting was done in the Italian Dolomites, filling in for the American Rockies. Some of the filming required stunt people- no insurance company would have signed off on certain moments involving actors, and Harlin's skills particularly show themselves in the mid-air heist, in the failed rescue early on, or in harrowing duels while sliding off a glacier or on the side of a cliff. He conveys just as much danger and tension, though, in a face off that's more quiet, with one adversary on top of the ice, while the other is trapped in the water below. The resulting film is one that will give serious problems to someone with a fear of heights. Harlin also brought in Trevor Jones to compose the score; Jones was previously best known for his work alongside Randy Edelman composing the score for Last Of The Mohicans, and is an under-appreciated composer. Jones weaves together heroic melodies with tense themes that mesh well with the movie.


The cast are well chosen, from the various Eurotrash gang of thieves, all of whom are nasty customers, reminding one of rabid dogs chafing at the leash. Caroline Goodall is an exception as Kristel, the calm and icy pilot who seems to have a thing with Qualen- while she's assembling a bomb, for instance, he tells her she'll make someone a good wife one day, while she quips that he should see her bake a cake. She's professional for the most part, but has one blind spot she doesn't quite see coming.


Rex Linn has spent most of his career playing either lawmen or ill tempered villains, and for some odd reason got saddled with years on end of putting up with the mumbling and socially inept David Caruso on CSI Miami. He spends a good part of this movie hollering at people as the traitorous Travers, being perpetually angry, and one gets the sense the character is overcompensating for his own failures as a man by yelling so much. The character isn't particularly respected by any of the other members of the gang, and it shows. Linn certainly does play to that, though, which makes the performance effective.


Ralph Waite is best known as the kindly patriarch of The Waltons, and this character's pretty much a similar sort of fellow. Frank is the senior man at the rescue service, still capable and calm under pressure, a bit eccentric, but generally the kind grandfatherly sort of man you'd expect.


John Lithgow gets to have a lot of fun as Qualen. The villain is not one of shades of grey; there are no moral dilemmas for him; he's malevolent, ruthless, and out for himself. He doesn't mind sacrificing others to get what he wants, and is not a character who would ever consider being merciful. That said, he's also quite calm under pressure- he takes things in stride, doesn't overreact when things go amiss- at least not until late in the game, and he comes across as a capable leader. He might be a thoroughly nasty and dangerous character, but it's fun watching him chew the scenery, and Lithgow makes the most of it.


Michael Rooker went on to other things after this film, and I like his performance here. Events early on are shattering for him, losing the woman he loves, and we can understand his anger, directed at Gabe, even if he doesn't see that some of it ought to be directed at himself. As angry as he might be though, as the story develops, the friendship is still there beneath the resentment- Hal urges Gabe to make a break for it if he can. Throughout the story as it unfolds, Hal's a defiant character even at gunpoint, resourceful even under pressure, and Rooker really plays to that.


Janine Turner was well cast as Jessie. She carries the character as you'd expect a pilot to be- professional and calm. And she also gives the character depth, wisdom, independence, and inner strength. I like her remark early on to Gabe- she doesn't know if she should hate him or love him, but she understands him, and that certainly comes across throughout Turner's performance. Jessie and Gabe come across as a believable couple, even though they're at a difficult point through a good part of the film.


Sylvester Stallone will never be accused of being an actor of great range, but that doesn't matter. Here he gets the job done in just the right way, by playing the character as haunted and tormented by guilt. Gabe as we first meet him might be a cheerful guy who sees nothing wrong in teasing his friend, though in the wake of things going wrong, he becomes a broken man. Stallone plays to that as the character's return plays out, and an extreme situation is required to shake him out of his despair. As the story unfolds, we see the resourcefulness of the character, the man who knows the mountains, and while he's poorly armed compared to his adversaries, he certainly knows how to use the tools at hand, and that comes across in how Stallone plays him. This is actually my favourite Stallone role, with his fish out of water sci-fi leading role in Demolition Man a close second.


Cliffhanger still goes for the thrills each time I see it, playing out a story of clearly very bad people contending with the good guys- good but human. The director handles the momentum of action and the tension of adrenaline very well indeed, but has the sense to allow quiet moments too, just so the audience can catch their breath, appreciate an acidic remark from the villain... and brace themselves to go back over the edge again.