Faith Can Move Mountains... But Dynamite Works Better
Showing posts with label Seth McFarlane. Show all posts
Showing posts with label Seth McFarlane. Show all posts

Monday, June 29, 2015

Michael Bay And His Explosive Football


Deranged Self Absorbed Director Threatens to Helm Beloved Children’s Film Adaptation

Los Angeles (AP) There are no sacred cows in Hollywood, it seems. Reporters were summoned to the offices of Digital Domain this week for an announcement by director Michael Bay, whose obnoxious, loud films have been a pestilence for years in movie theatres, including Pearl Harbor, The Rock, and the Transformers series. The director, who never heard of a movie explosion he didn’t like, and who finds himself the most fascinating human being on the planet, has been taking on a swirl of projects, convinced that each one is going to get him Oscars. This reporter was one of a number of real reporters sent in to mingle with fake reporters (otherwise known as entertainment reporters) to hear the announcement. This reporter remains in editor dictated hell for months on end simply because his editor despises everything about him (editor: you laughed at my mother-in-law’s funeral. I never forget, and I never forgive).

At any rate, despite the callous disregard of the editor who should have been relieved to see his mother-in-law battleaxe shuffle off her mortal coil (editor: hey! Watch your mouth!), this reporter knew he’d be stuck with this purgatory of an assignment. On a side note: yes, your mother-in-law was a battleaxe. Now then, we return to the subject at hand. This reporter and a number of actual reporters were subjected to the presence of vacant headed buffoons calling themselves entertainment reporters in the auditorium. Those of us who were real reporters speculated on how many times Bay would look in the mirror, already set up by the podium. Finally a staffer came out, called everyone to order, and announced the arrival of her boss.


Bay came out on stage, waved and grinned in his usual halfwitted way, and stopped by the podium, gazing at himself in the full length mirror and winking. This reporter expected that deep down, Michael Bay was deeply in love with Michael Bay. He was dressed as usual- jeans, blazer, and a denim shirt unbuttoned at the neck. And he had the customary slightly dishevelled hair and three days of stubble. “Hello, everyone!” he called out as he looked over the crowd of reporters, stealing one last glance at himself in the mirror. “It is delightful to see you all here today! Just as much of a delight as it must be for you to be here and hear my announcement. Am I right or am I right?”

The real reporters remained silent. Entertainment reporters applauded. Bay seemed to only notice the latter. He smiled again in that customary halfwitted way of his, oblivious to reality. “You know, I’m a busy man. I always have lots of things on the go, big projects in the wings, and I can never stop taking on a new challenge. That’s what I’m here today to tell you, about my next big challenge.”

“Are you going to take a vow of silence and stop making films?” this reporter asked.

“No! Of course not!” Bay said, totally oblivious to this reporter’s tone. “Oh, you’re such a kidder! Why would I walk away from the world of film? The movie world needs me, after all. What would they do without me? Who else is as good as I am in blowing things up during every film? Nobody! Now then, what I’m here today to tell you about is a new film concept. Something that will blow you away and have you wanting to see right now. A film that is bigger and grander and more explosive than you can imagine.” This reporter wondered if he could get assigned to something less obnoxious. Like the Rachel Dolezal story.


Nonetheless, the ordeal continued. Bay kept prattling on, obviously in love with the sound of his own voice. “You know, there’s a beloved institution out there, a comic strip that we’ve all known and grown up with. I can tell you that yes, I know there’s a movie in the works already about them, but my take is going to be different. For one thing, it’ll be live action, not animated. And for another, it’s going to take the characters and make them adults. Something we would have never seen in the original series, because, hey, let’s face it, comic strip characters generally do not get older. Except for Doonesbury. And that one’s just a little too dry to adapt for a movie. Though I could make something of that Jeff Redfern is the Red Rascal ongoing plotline.” This reporter sighed, imagining just how much of a mess Bay could make of that.

Bay smiled, gazed at himself in the mirror once again, smiled some more, and then turned his gaze back on his audience. “Where was I? Oh, yes. My film. Right. Ladies and gentlemen, my next big project, once I’m done with the other multitude of other projects I’m working on, yes, folks, the one you’ve all been waiting for...” This reporter glanced at his watch, wondering how long the buildup would take. Three minutes and lots of hype words later, Bay finally finished by saying, “I’m adapting Peanuts for the big screen! Yeahhhhh!!!!


There was an audible gasp from many of the reporters. The beloved comic strip by the late Charles Schulz has been part of our lives for decades, featuring the lives of children written with depth and one beagle with an astounding imagination. There is an animated film in the works, but the idea of Michael Bay desecrating the characters in any way seems to be nightmarish.

“Did you just say....?” a Reuters correspondent started.

“Yes!” Bay said gleefully. “But not Peanuts as it is. I mean, for one thing, there’s no way a studio insurance underwriter would let a guy like me make a film with kids- too many explosions, too much risk. So the concept of my film is to take these characters we all know and bring them up into young adulthood and see where they are now. With lots of explosions.”


Bay glanced at his reflection in the mirror again and smiled. “So our central figure, of course must be Charlie Brown. Where is he at this point in his life? Well, he’s grown up to be a pretty good guy. He gave up his baseball dreams, and when he did that, his infamous bad luck finally went away. Charlie got over that childhood bout of cancer and finally grew a decent head of hair. He’s an Army officer, and a bomb disposal expert, so you just know that in a film I’m making that will come in handy.” Reporters gasped and rolled their eyes. “He’s even happily married. No, not to that Little Red Haired Girl we never saw. Instead he got married to Violet, who for whatever reason didn’t get used that much as time went on.”

This reporter wondered, not for the last time before this press conference would end, if Charles Schulz would be rolling over in his grave. Oblivious to all thoughts of reporters, Bay prattled on. “His friend Schroeder is a world famous concert pianist, just as you’d expect, and Schroeder’s a big part of the plot. His other friend Linus is a theology graduate student who tends to smoke weed and has some strange ideas on divinity and the Great Pumpkin. Sally Brown is an award winning playwright about to debut her new musical My Sweet Baboo on Broadway. Pig-Pen has taken his talent for attracting dirt and put it to good use as a Navy SEAL. Franklin’s a hip-hop artist and my token African-American character, because in a Michael Bay film, you always have to have one of those. Snoopy, admittedly, is where I need to suspend disbelief for a bit, because who’d believe a dog would live in excess of twenty extra years? Snoopy’s still around, still picking fights with the Red Baron and leading his Beagle Scouts and writing books that get rejected by publishers and still thinking of Charlie Brown as that round headed kid. And Peppermint Patty and Marcie have finally come out of the closet and are getting married.”


This reporter sighed with dismay, wondering if his grouchy editor would ever stop being annoyed with him (editor: note to you: I never will, you prat!). Bay was still carrying on with his grandiose announcement. “And rounding out the main characters is the key antagonist. Yes, ladies and gentlemen, the one, the only... Lucy van Pelt. She who was crabby and grouchy and obsessed with Schroeder as a child has not improved. In fact, she’s become a supervillain, kidnapping Schroeder for her own lustful purposes, and threatening the world with stolen nukes. Which, of course, happens to be the disarming speciality of our hero, Charlie Brown. The big confrontation between two old adversaries, because let’s face it, Charlie and Lucy hated each other. The stakes are much bigger though than a football being pulled away at the last minute. Which reminds me, the title of my blockbuster is Kick The Football, Charlie Brown.


A collective sigh of dismay rose up from the real reporters. Bay still smiled gleefully. “And now, bringing out my cast, starting with our lead actor....”

“Let me guess, Shia LaBeouf?” this reporter asked.

“No, but he is in the cast,” Bay replied. “No, ladies and gentlemen, playing Charlie Brown with the gravity and dignity that the character so richly deserves, an actor I haven’t worked with before, Mr. Channing Tatum!”

Tatum came out on stage, waving at the crowd, his expression being his usual dimwitted hit in the head by the football too many times look. “Hello there!” he called out. “It’s wonderful to play this timeless character in such a fresh and new way. You wouldn’t believe how long it took me to learn that sentence.”


Bay kept speaking. “And playing his wife, a newcomer to my films, but you’ve seen her in lots of films before. Ladies and gentlemen, playing Violet Gray-Brown... hey, those are three colours! Ladies and gentlemen, say hello to Emma Stone!”

The actress stepped out on stage, looking awkward. “Look, don’t hold this against me, I was signing lots of documents and it turns out one of them was a one movie deal with this hack,” she said, glaring at Bay, who laughed.

“Such a kidder!” Bay chuckled.

“Yes, well, whatever, and now you’ve got me shackled with this halfwit.” Stone added, looking at Tatum. “And considering I’ve worked with Michael Cera, I know a lot about halfwits.” The entertainment reporters collectively gasped and started tweeting up a storm. This reporter could already see next week’s tabloid headlines: Washed Up Has Been Actor Skewered By A-List Actress. Entertainment reporters are scum, after all, and this reporter wondered why his cranky editor couldn’t work for one of those outlets (editor: for your next assignment I’m having you tossed into shark infested waters without a shark cage).



Bay seemed oblivious. “And now, playing Linus van Pelt, give a big hand and lots of love to one of my favourite actors, Mr. Shia LaBeouf!”

LaBeouf stepped out on stage, waving and grinning like an idiot. “Shia is so pleased to see you!” the waste of oxygen called out, still in that talking about himself in the third person phase. “Shia is a busy actor! Shia is glad for that, so when Spielberg comes and begs Shia to star in a Mutt Williams movie, Shia can give him the finger!”

LaBeouf joined the other actors. Bay continued his announcement of the cast. “I quite often cast this next actress alongside Shia in other films as a romantic interest. Well, not this time. This time Megan Fox is in my cast, playing a character pivotal to the entire film. She’s got the gravity, depth, personality, intelligence, and fortitude as an actress to play this role. Ladies and gentlemen, give a big hand for Megan, who’s been cast as my antagonist, Lucy van Pelt!”


Fox stepped out on stage, waving and smiling in her usual vacant looking way, dressed in her customary much too tight clothing, ample cleavage on display. “Hi! It’s so wonderful to play one of the most iconic characters of all time! I’m going to have lots of fun being the bad girl!”

Bay smiled. “Now then, I do have someone who’ll be voicing the inner thoughts of Snoopy. Someone I thought would be perfect for the part. He can’t be here today- he’s caught up in television show work at the moment- but he’ll be ready to go when the time comes, and his performance will be the stuff of legend. Ladies and gentlemen, I’ve chosen Seth McFarlane for that role!” There was silence from the reporters. The real reporters were appalled at such a choice. The entertainment reporters were, as usual, confused in the deepest of ways.

Bay seemed to ignore all that. “I’ve got one more cast member to bring out. I’m still in the process of casting more parts, but I couldn’t ignore this guy. Playing the President of the United States in this tense hair raising thriller... Mr. Nicolas Cage!”


Cage came out on the stage, stumbling and grinning in a dazed way, singing in a slurred way, his hairpiece even stranger than usual. “Hail to the Chief, he’s the one we all say hail to, we all say hail ‘cause he keeps himself so clean! He’s got the power, that’s why he’s in the shower...”

This reporter sighed with dismay. Now Nicolas Cage was ripping off Kevin Kline’s performance in Dave. A glance at the watch was in order, and this reporter found himself wondering how many more years he’d be in editorial purgatory at the hands of an overlord editor with no sense of... (editor: purgatory? You’re in editorial hell!)

Regardless of the overlord editor’s annoying habit of continuing to be an irritating prat (editor: hey! Shut up!), this reporter remained doomed to covering such idiocy. Bay was beaming as he spoke. “Ladies and gentlemen, the cast of Kick The Football, Charlie Brown! It’s going to be big! It’s going to be bold! It’s going to be epic! With lots of explosions and barely dressed girls waxing cars and explosions and Aerosmith doing a theme song! Yeah!!!!”


With that, they were off the stage, leaving the reporters and entertainment reporters in their wake. The latter were busy talking about how Emma Stone had skewered Channing Tatum and Michael Cera, while gushing about how epic a movie this would be. Those of us real reporters condemned for one reason or another to cover this nonsense expressed our dismay at the fact that someone as irritating as Michael Bay would have the chance to desecrate Peanuts. This reporter could sum it all up in two words: good grief.

It’s too bad there isn’t a Great Pumpkin. He could stomp all over Michael Bay, and do the same to my cranky editor (editor: you are dead to me. Dead! You hear me? I’m going scorched earth on you until the day I retire).

Like I said: too bad.

Saturday, February 23, 2013

Will Someone Escort Jane Fonda Off The Stage?


Oscars Producers Scramble To Replace Injured Host

Los Angeles (AP) Producers for Sunday's Academy Awards telecast have had to find a new host at the last minute, after Seth McFarlane was admitted to hospital. McFarlane, the creator of television tripe such as Family Guy and the host of this year's ceremony, was appearing at a press conference, speaking to an assembly of reporters. The group of mostly entertainment reporters included this reporter, who is being punished by his editor in chief in the only way his ironclad contract can allow: by being given pointless assignments like covering the Oscars. Complete aside: this reporter still stands by his word: your son is a spoiled brat, Ms. Fenton.

McFarlane was basking in the glow of attention from reporters at a hotel near the auditorium where last minute preparations for the ceremonies are being handled. He had been spending an hour talking about just how funny he is. In the opinion of this reporter, McFarlane isn't nearly as funny as he thinks. "You know, it astonishes me every single day just how brilliant I really am," McFarlane proclaimed. "I've struck it big in television, and everyone I meet tells me just how great I am. Granted, they are paid to say that. Now I'm going to parlay that into film. Sooner or later, you won't be able to go anywhere without running into the influence and characters of Seth McFarlane. Won't that be a perfect world?"



This reporter would consider that to be a rough approximation of the seventh circle of Hell. When asked to stop talking about himself, and to start talking about hosting the ceremonies, McFarlane nodded. "Yes, well, I can't promise to be on my best behaviour. I've got a pretty vulgar mouth, as you all know, and a tendency to speak before I think. I imagine a lot of those network censors all over the world are going to be anxious all evening long, but really, if you can't take a joke, why are you in the room? I hear Jane Fonda is going to be there making a bitter diatribe, so I've got a Family Guy skit standing by to make fun of her that'll be like that Aristocrats standup joke, only a trillion times more offensive. And I'm planning on heckling Tommy Lee Jones all evening long. What's he going to do? Hit me? I think I can take him. Oh, and I'll have the entire cast of Les Miserables arrested by French militiamen and marched out of the auditorium. And look forward to my entrance. I'm planning on walking in dressed just like John Wilkes Booth. I'm sure Daniel Day-Lewis won't mind that at all."


McFarlane seemed to be looking beyond the crowd of reporters as he halted in midspeech. This reporter glanced back, and saw someone familiar, passing through a corridor nearby. It was the legendary Mountie, RCMP Inspector Lars Ulrich, looking grouchy. That was to be expected, of course. He was in the city with the highest ratio of entertainment reporters in the world, no doubt his own personal vision of Hell. Word on the street had it that Ulrich had come down to Los Angeles to retrieve a fugitive arrested by the LAPD, a fugitive tied to the massive Canadian maple syrup heist from last year. He hadn't been sighted by reporters, however. The Mountie, who has a sterling reputation for saving the world from archvillains and a habit of beating up entertainment reporters, seemed to be in a hurry to leave.

McFarlane spoke up suddenly. "Hey, you! Wait!" He stepped down from the podium, wading through the crowd of reporters, who started to rise to follow him. McFarlane intercepted Ulrich outside the press conference, calling, "I know you! You're Lars Ulrich!"


A murmur of excitement rose up among the reporters, most of them entertainment reporters. Those of us who consider ourselves real reporters knew better than to antagonize the Inspector. McFarlane wrapped an arm around the Inspector, seemingly oblivious to the hostile glare in the Mountie's eyes. "It's great to meet you. We should really work together." McFarlane flashed that big stupid grin, while photographers took pictures of the pair.

Inspector Ulrich looked like he wanted to be anywhere else but here. "Am I supposed to know who you are?" he asked in a low, growling voice.

McFarlane laughed. "Lars, you're such a kidder! Seriously though, everyone knows who I am. Seth McFarlane, funniest man alive. Creator of Family Guy. Of course you know who I am. Listen, I'm hosting the..."

Ulrich rolled his eyes. "Oh, that... cartoon," he muttered, his voice dripping with contempt. He seemed to be looking at McFarlane in a way that suggested he was considering how to knock out every single tooth in McFarlane's mouth in the timeliest fashion possible. "You do realize you're not funny?"


McFarlane laughed again, clapping the Inspector on the shoulder. "This guy! Am I right, people? Such a kidder! Listen, I'm hosting the Oscars this Sunday. Do you think you and the rest of Metallica can come play at the ceremony?"

Ulrich was silent for a moment. Then, in the lowest, most hostile tone this reporter had ever heard in a human voice, he told McFarlane, "I am not that Lars Ulrich, you brainless buffoon."

McFarlane appeared confused, a common trait for the man. In the opinion of this reporter, Seth McFarlane isn't all that bright. "Are you sure?" he asked the Inspector after a long moment. Within five seconds, McFarlane was on the run of his life, being chased by a very angry Mountie out of the hotel and into the streets of Beverly Hills, screaming like a little girl.



When he was finally found, late that night, McFarlane was unconcious at the base of the Hollywood sign, battered and beaten. He's been hospitalized, and doctors are saying he'll be eating his meals from a straw for the next six months, with physical therapy for the next three years. They describe his condition as stable but annoying.

Producers of Family Guy and American Dad have announced the shows will be going on indefinite hiatus, as McFarlane is so crucial to continued production. When asked at the White House, the President shrugged. "You know, I've never found that guy funny. He's really rather tedious."

In a rare display of bipartisan agreement, the Speaker of the House remarked, "Good riddance to him. He had it coming."

Producers are calling in the big guns to save the Oscars at the last minute. Frequent host Billy Crystal has stepped in to take the hosting gig. He told reporters, "I figured McFarlane would just blow the whole thing, and make Letterman's hosting gig look wonderful in comparison. I didn't figure he wouldn't make it to the ceremony though. I'm glad to help. And just for the record, I'm smart enough not to mistake a cranky Mountie for a heavy metal musician."

As for Inspector Ulrich, he's back on his way to Canada, taking the errant maple syrup stealing fugitive with him. When reached at the airport, he was dragging the fugitive by the scruff of the collar toward the departure gate. He growled at a group of cautious reporters, including this one. "If you idiots ask me one question about Metallica, I'm taking you on board that plane and throwing you out when we reach altitude."

This reporter and his colleagues decided that discretion was the better part of valour, and left the Inspector to leave in peace. This reporter has learned three vital life lessons down through the years. First, never play poker with someone named Doc. Second, keep your distance from anyone who likes saying, "what's the worst that can happen?" And last... never annoy a grouchy Mountie who hates reporters.