Monday, December 31, 2018
Friday, December 28, 2018
Seven Fathoms Of Grouchy Atlanteans
“A war is
coming to the surface. And I am bringing the wrath of the seven seas with me.”
~ Orm
“I plunder
the seas, and you’re the Aquaman. We were bound to meet sooner or later.” ~
Manta
“A king
fights only for his own nation. You fight for everyone.” ~ Atlanna
“You think
you are unworthy to lead because you are of two worlds? But that is exactly why
you are worthy.” ~ Mera
“You killed
innocent people. Ask the sea for mercy.” ~ Arthur
While the
Marvel cinematic universe has merrily gone along like clockwork putting out
entertaining films for quite sometime now, the DC cinematic universe, starting
with Man of Steel, has had hits and
misses. A new chapter in the franchise has opened in theatres, featuring a
character already seen twice before, most notably in Justice League, where the waterlogged bad ass Aquaman got some of
the better lines. Jason Momoa returns as the ferocious hero born of two worlds
and trying to find his place in them in this solo film for the character that
finds its best strength in its cast.
The story
opens in the past, with lighthouse keeper Thomas Curry (Temuera Morrison) saving
the life of the Atlantean queen Atlanna (Nicole Kidman) in a storm. The two
fall in love, having a son, Arthur, but she’s forced to return to Atlantis. She
leaves one of her advisors, Vulko (Willem Dafoe) the task of training her son
in the use of his abilities, which include being able to communicate with
marine life, and how to become a warrior. The boy grows up, rejected by
Atlanteans as a half breed, spending time in both the sea and on land, but not
belonging to either.
A year
after the Justice League dispatched Steppenwolf, Arthur, otherwise known as
Aquaman finds himself tangling with a band of contemporary pirates that include
David Kane (Yahya Abdul-Mateen), who will return to haunt him in the Inevitable
Sequel. Events lead to Arthur’s half-brother Orm (Patrick Wilson) conniving for
an excuse to attack the surface world. Mera (Amber Heard), daughter of another
subsea king and betrothed to Orm, reaches out to Arthur to claim his rightful
place as king. Arthur and Mera find themselves on a quest for the trident of
Atlan, the usual cinematic doohickey that’s always the object of a quest in
these things, a journey that will take them to many places and wonders,
encounters with enemies, and an inevitable fight between brothers that you saw
coming at the beginning of the movie.
The idea of
a solo movie for the character has been in development since at least 2004,
with pitfalls along the way. With the general success of Man of Steel, which kicked off the integrated DC cinematic
universe, the character got greenlighted for a new take, appearing first in a
cameo in Batman V Superman: Dawn of
Justice and then moving into a featured role as part of the team in Justice League. The story draws more
heavily in its influence from the comics of more recent years- the rougher and
more of a bad ass Aquaman started really in the 90s, a far cry from the dope he
often comes across as in older material. Some of that recent influence shows
itself in the Trench, part of the movie’s story that comes from the current
continuity.
Four
writers are credited with the story and screenplay, including Geoff Johns, who’s
done some of the more recent work on the character. In terms of the screenplay
itself, the story is presented with different themes. The concept of the
journey and quest and how people are changed by it is seen through both Arthur
and Mera. The division between worlds is part of Arthur’s personal journey, but
also a nod to his parents, both of whom were of different worlds. And the
struggle between brothers for their birthright, the conflict arising between
siblings, is another theme that shows itself throughout the film. There’s even
some environmental awareness going on- the notion of how humanity has polluted
the oceans is one of the motivating factors that goes into destroying it.
Director
James Wan has a background mostly in horror, and in films I don’t particularly
care for- he did Saw and one of those
Fast And Furious abominations (would
it be so hard for every member of that so-called crew of high speed racers to
meet a horrible end in a massive car wreck?).
So this is the first time I’ve seen him do anything. He has a hand in
the story as well, and manages to direct the film competently enough, moving the
action from place to place and allowing the CGI to do its thing without
swamping the story. The special effects render the underwater world and its
wonders well, particularly the monsters of the Trench and a strange leviathan
called Karathen (who just happens to be voiced by the most unlikely person you’d
expect in this kind of film).
It’s the
cast that is the strongest element of the film. It’s odd to think of Julie
Andrews in a superhero film (though the argument could be made that her magical
nanny Mary Poppins is one). She voices Karathen with gravity and dignity,
giving what looks like a monster a peculiar sort of take that works. Dolph
Lundgren, who’s been around theatres lately reprising his Rocky role as Ivan Drago in Creed
2, plays a different kind of role as King Nereus, Mera’s father and monarch
of another undersea realm, reluctantly allying himself with Orm’s machinations.
Yayha
Abdul-Mateen gets a good amount of time playing the human pirate and mercenary
David Kane, a man who like his father sees nothing wrong with plundering the
seas and breaking the law. Ruthless but resourceful, Kane quickly develops
reasons to hate Arthur, and acts on behalf of Orm in a loose kind of alliance.
The character’s look in armour fits in with his comics counterpart, and in fact
he takes on the nickname Black Manta. We’ll see more of him to come, no doubt,
but the actor gives him a scenery chewing edge in how he plays him.
Willem
Dafoe is often the most interesting part of any film he makes, a character
actor who plays a wealth of different character types. Here he’s the Gandalf of
the story, a wise and patient Atlantean advisor named Vulko, loyal to those he
deems worthy of it, guiding his student with wisdom and fortitude. Temuera
Morrison, also a character actor who’s done a lot of different things down
through the years, surprisingly gets a lot to do as Thomas Curry. The
lighthouse keeper accustomed to solitude finds himself falling in love with a
princess from beneath the seas, and Morrison gives the character a lot of depth
and strength in his portrayal.
This is not
the first time Nicole Kidman has been in a comic book adaptation. She was the
love interest in Batman Forever, one
of the two misfires by Joel Schumacher, who should never be allowed anywhere
near a superhero movie ever again. I’m just saying. She proves to be
sympathetic and strong as the Atlantean princess Atlanna, torn between the
family she makes in the surface world and her duties beneath the sea. And her
presence looms over the film, providing Orm with another reason to resent
Arthur, while providing Arthur with an example to follow. I like the way the
actress plays the character.
Patrick
Wilson, who’s worked with Yan before in Insidious,
plays the ambitious, bitter, conniving ruler of Atlantis, Orm Marius. He
blames the surface world for pollution in the oceans (a fair point) and looks
for a reason to unite the kingdoms of the deep into an attack on the surface
world. He harbours deep resentments and anger towards his brother, seething
with bitterness towards the half breed who just might have a claim on his
throne. The character fits in fairly well with his comic book counterpart, a
royal with all of the sense of entitlement and none of the sense of
responsibility.
Amber Heard
returns after a cameo in Justice League
as Mera, the princess of one undersea kingdom, finding herself betrothed in an
engagement to a man she doesn’t want, and who sees nobility and purpose in a
different man. Perhaps it’s because that nobility and purpose resonates in her,
which the actress plays to throughout the film. Her Mera is one of integrity,
strength, and spirit, and Heard plays to that throughout, giving the role a
compelling quality.
Jason Momoa
was one of the highlights of Justice
League as Aquaman, the brash tough guy with a seeming carefree streak who
got a lot of the better lines in the film. He gives the character a charming
energy with a lot of rough edges. And yet his Arthur has more depth under the
surface- a man who acts to help others less because of getting credit and more
because it’s the right thing. And he’s a man who feels his own isolation- born
of two worlds but not fitting into either. He has to be prodded, in effect,
into accepting his destiny, and that’s the character’s journey throughout the
film. The actor still gets some of the better lines of the film, but also invests
strength and tenaciousness in him.
Is Aquaman a flawless film? No, of course
not. It doesn’t hit all the marks in the way that Wonder Woman did, and that latter film had a better director at the
helm. But it’s not a misfire either. It deals with weighty themes, provides its
heroes with a fitting journey, and offers up just enough lightness as it goes
along to not get bogged down in gloom and doom like we had with Dawn Of Justice. Its protagonist is fun
to watch, a ferocious bundle of energy that proves to be the sort of bad ass
you don’t want to irritate.